Photo
art-centric:

Felix Vallotton - Femme accroupie offrant du lait à un chat

art-centric:

Felix Vallotton - Femme accroupie offrant du lait à un chat

(via archaicyoungster)

Photo

(Source: reitsc, via crazydesign)

Photo
brudesworld:

French poster art by Rene Peron for Murders in the Zoo, 1933

brudesworld:

French poster art by Rene Peron for Murders in the Zoo, 1933

(via violaviolet)

Photo
red-lipstick:

Balint Zsako (b. 1979, Budapest, Hungary) - Untitled (Rain Of Bullets) Paintings: Watercolors, Ink on Paper

red-lipstick:

Balint Zsako (b. 1979, Budapest, Hungary) - Untitled (Rain Of Bullets) Paintings: Watercolors, Ink on Paper

(Source: balintzsako.com, via queerlyhypersensitive)

Photoset
Photoset

likeafieldmouse:

Whitney Bedford - Selections from the Shipwreck series

Photo
femme-de-lettres:

Large (Wikimedia)
As the Tate writes, Thomas Benjamin Kennington “was well known for his compelling pictures of the urban poor.”
Kennington painted Homeless in 1890.
He takes a bit of a risk in composing such a deliberately moving scene—he expects to buy with a captured moment what Dickens, for example, purchases with whole chapters of exposition—but to me, Kennington just manages to pull it off.
You might take the woman in black to be the child’s mother, but her mourning clothes are too elegant, her hair too presentable.
She is, for all we can tell, a perfect stranger, who has dropped her bundle of laundry and herself to the wet pavement in order to lift this boy from the pavement—his hat remaining where his head lay moments before.
His weak but arresting gaze is the only sign of life left in him.

femme-de-lettres:

Large (Wikimedia)

As the Tate writes, Thomas Benjamin Kennington “was well known for his compelling pictures of the urban poor.”

Kennington painted Homeless in 1890.

He takes a bit of a risk in composing such a deliberately moving scene—he expects to buy with a captured moment what Dickens, for example, purchases with whole chapters of exposition—but to me, Kennington just manages to pull it off.

You might take the woman in black to be the child’s mother, but her mourning clothes are too elegant, her hair too presentable.

She is, for all we can tell, a perfect stranger, who has dropped her bundle of laundry and herself to the wet pavement in order to lift this boy from the pavement—his hat remaining where his head lay moments before.

His weak but arresting gaze is the only sign of life left in him.

(via chadwys)

Photoset
Photoset

phoebewahl:

Last night I made these drawings in my sketchbook for a zine I’m making called WARPED. 

It was fun making looser/weirder stuff than I usually do.

©Phoebe Wahl 2014

(Source: phoebewahl.com, via calamitytits)

Photo
shakypigment:

Joseph AUCHENTALER - unter den sternen

shakypigment:

Joseph AUCHENTALER - unter den sternen

(via venusmilk)